| Bruce Crossman (Australia) | Colour Resonances and Dance (1996) |
| Finsen, Tse Ka Chun (Hong-Kong) | Nostalgia (2001) for Piano and Orchestra |
| Michiharu Matsunaga (Japan) | The Timescape in the Depth of a Dream for Piano and Orchestra |
| Tohgo Takahashi (Japan) | Word spirit - From the depths which far .. is to,...(2000) |
| In-Sun Cho (Korea) | Winterlicht V (1998) |
| Josefino Chino Toledo (Philippines) | Sigaw (1997) |
| Andrian Pertout (Australia) | Sonus dulcis (2000) for String Trio |
| Eve Duncun (Australia) | Runner of Light for String Quartet and Double-bass |
| Heng-lu Yao (China) | Triptych of Yang Guan for Cello and Piano |
| Faidros Kavallaris (Cyprus) | Aletis (1999) for Two Trombones |
| Clarence Mak (Hong-Kong) | Plain Autumn for Flute, Clarinet/B-Clarinet. Cello and Piano |
| Nga-Ting Ada Lai (Hong-Kong) | Embrace (2000) for Woodwind Quintet |
| Joyce Wai-chung Tang (Hong-Kong) | Drunk with Flower Shadows(2001) for Soprano, Flute, Oboe, Clarinet/B-Clarinet, Bassoon, Violin I/II, Viola, Cello, Double-bass |
| Jeeyoung Kim (Korea) | Tiger Chasing the Wind - In Memory of Isang Yun |
| Boknam Lee (Korea) | Two Psalms for Baritone, Violin, Viola, Cello, Percussion and Piano |
| So-Yeon Lee (Korea) | Midsummer (2000) for Violin Solo |
| Gene Woo Lee (Korea) | Woodwind Quintet (2000) |
| Eun-Wha Cho (Korea) | Et in arcadia ego (2000) for Piano solo |
| Sung-Ji Hong (Korea) | Aube for 13 Instruments |
| Philip Brownlee (New Zealand) | Sinew/Synapse (2001) for Cello Solo/Amplification |
| Dorothy Ker (New Zealand) | The Structure of Memory(1997/1999) for Piccolo/Altoflute, Oboe, Clarinet/B-Clarinet, Bassoon, Trombone, Percussion, Viola, Cello, Double-bass |
| Yu-Hui Chang (Taiwan) | The Horizon Unfolds (2000) for Clarinet, Bassoon, Horn, Trombone, Percussion, Violin, Double-bass |
| Shui-Long Ma (Taiwan) | Pipa & String Quartet |
| I-Uen Wang Hwang (Taiwan) | Dream Garden (2000) for Piano Solo |
| Atibhop Pataradetpisan (Thailand) | Dreamscape: Inside and Outside (2000) for Violin, Cello and Piano |
| Weerachat Premananda (Thailand) | An Incidental Refraction (1995/2000) for String Quartet |
| Nga-Ting Ada Lai (Australia) | Embrace for Woodwind Quintet(2000) |
| Aenon Loo Jia-en (Hong Kong) | Quintessence for Soprano, Violin and Piano(2001) |
| Erel Paz (Israel) | G# for 6 player for Flute, Clarinet, Violin, Violoncello, Percussion and Piano(2000) |
| Keiko Harada (Japan) | Heavy Wood for Violin, Guitar, Bass-Clarinet, Double-bass and Piano(1998) |
| Fumio Tamura (Japan) | On the Swanlakeside for Alto Flute, Shamisen, Violoncello and Piano |
| Jin-Soo Kim (Korea) | Redemption for Mezzo-soprano, Flute, Trumpet, Violoncello, Percussion and Piano(1997) |
| Yanghee Kim (Korea) | Miniatures for Clarinet Bb, Bassoon and Violoncello (2000) |
| Ching-Wei Huang (Taiwan) | Streichquartett for String Quartet(1995) |